Olivia Wilde’s latest film, The Invite, serves as a vibrant exploration of marital dynamics interspersed with humor and tension. Drawing comparisons with the works of Woody Allen might evoke mixed feelings, yet it’s an apt reference for capturing the film’s insightful take on relationships. Wilde’s comedic piece stands out as a refreshing addition to the genre, surpassing much of what has been produced in recent decades.
The narrative unfolds over a single evening, focusing on Joe and Angela, portrayed by Seth Rogen and Olivia Wilde, respectively. This middle-class couple resides in a stylish San Francisco apartment, a luxury afforded to them through a family inheritance. With their 12-year-old daughter spending the night at a friend’s house, the couple prepares for a dinner party to welcome their new upstairs neighbors, Hawk and Piña, played by Edward Norton and Penélope Cruz. Almost immediately, the film establishes that Joe and Angela’s marriage is in trouble, as they bicker over trivial matters even before their guests arrive.
Wilde, who also directs the film, showcases her artistic prowess following the mixed reception of her previous project, Don’t Worry Darling. Her ability to craft a compelling visual narrative is evident as she skillfully transitions between the living room, kitchen, and bathroom, creating an atmosphere thick with anxiety. This claustrophobic feeling mirrors the couple’s entrapment in their failing marriage and personal disappointments—Joe, once a member of a short-lived band, has mentally checked out of his role as a school music teacher, while Angela, a trained art photographer, pours her creativity into decorating their home with Facebook Marketplace finds.
Some may interpret Wilde’s portrayal of a desperate housewife as a reflection of her personal experiences, particularly following her highly publicized separation from Jason Sudeikis. Yet, it is her comedic talent that shines through in this role, revealing a new facet of her abilities. A particularly humorous moment arises when Joe attempts to address an issue with their neighbors’ loud sexual activities, only for Angela to distract him with the homemade flan brought by Piña. The evening’s culinary efforts unravel when Angela’s elaborate Spanish charcuterie board is met with dismay upon learning that Piña is averse to meat, cheese, and bread, prompting a comedic breakdown that underscores her mounting frustration.
The plot thickens when it is revealed that Hawk and Piña are not merely loud neighbors but swingers inviting Joe and Angela to join in their unconventional escapades. This unexpected twist leads to a series of humorous exchanges as the couple navigates their own marital strife while grappling with the implications of the neighbors’ lifestyle. The film cleverly blends comedic and serious tones, hinting at the complexities within Hawk and Piña’s relationship as well, despite their seemingly healthier dynamic.
Cruz and Norton both deliver standout performances, effortlessly navigating the film’s humorous and tense moments. However, it is Rogen’s comedic energy that propels the film, whether he is attempting to impress Piña with a dance or confronting his own feelings of resentment toward Angela.
The Invite is an adaptation of Cesc Gay’s play The People Upstairs, which has seen various international interpretations. This film notably alters the original ending, adding a fresh perspective. The screenplay, crafted by Rashida Jones and Will McCormack, is filled with dialogue that resonates, particularly during pivotal scenes that reveal the underlying issues in Joe and Angela’s marriage. While Woody Allen may have captured similar sentiments in his earlier works, this film represents a modern take on marital comedy that speaks to today’s audience.
The Invite
Starring: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton.
Directed by: Olivia Wilde.
Written by: Rashida Jones and Will McCormack, based on Cesc Gay’s play and screenplay.
Rated: R.
