Austin residents often encounter a lively figure at the intersection of South First Street and Barton Springs Road. This energetic performer, Broderick James Jr., also known as PTK—short for “Prime Time King” or “Positive Thinking Kingpin of Weird”—has become a beloved character in the community.
Artie Abello and his wife first noticed Broderick a few years ago while driving through the area. “We saw this person dancing, rapping, having the time of their lives,” Abello recalled, captivated by the performer’s vibrant presence. In a city celebrated for its eccentricities, Broderick’s flamboyant attire and microphone set him apart. However, he eschews typical street performer tactics; there are no signs promoting social media or requesting donations. Instead, he appears to simply revel in the joy of performance.
Curiosity about Broderick’s upbeat demeanor led Abello to reach out to ATXplained for more information. Broderick, who arrives at the corner shortly after 5 p.m. each day, engages with passersby by dancing, singing, rapping, and greeting those who stop to watch. “Everybody knows I’m not crazy,” he assures. “I’m nowhere near crazy!” Yet, his dedication is evident—Broderick performs on the corner more than 300 days each year.
His performances often resemble pantomime; the microphone serves as a mere prop while he silently raps or sings along to the music in his headphones. He refers to this unique approach as “invisible theater,” where everyone around him becomes part of the audience. “I got two minutes to impress,” he explained, emphasizing the fleeting nature of his performances.
Interactions with spectators frequently ignite his energy. A passing car might shout encouragement, and Broderick reciprocates with enthusiasm, creating a sense of community and connection in those brief exchanges.
At 46 years old, Broderick’s life has been a journey marked by both challenges and triumphs. Growing up in Atlanta, he joined the Army after high school and later faced significant personal struggles, including a tumultuous marriage and mental health issues. At his lowest point, he contemplated suicide, but a pivotal moment during psychiatric treatment altered his path. A doctor advised him to find ways to transform his pain into positive contributions to the community.
Upon leaving treatment, Broderick embodied this advice, initially gaining recognition as the “Rundberg Running Man” at a different intersection in Austin. There, he became a local symbol of positivity. However, as time passed, he felt a call to focus more on his artistry than community leadership, prompting his move to a new performance location.
In 2022, he settled in South Austin and discovered the intersection of Barton Springs Road and South First Street, declaring it his sanctuary. “This is where I’m going to perform until I die,” Broderick expressed, drawing inspiration from the legacy of Leslie Cochran, a former icon of Austin’s eccentricity. “I honor the king. He’s the peak,” he stated, recognizing the foundational role Cochran played in the city’s culture.
Despite his infectious spirit, Broderick faces days when he lacks the energy to perform. Nevertheless, he continues to show up, believing his presence offers something valuable to those who encounter him. “People want to be encouraged,” he said, reflecting on his desire to provide hope to others.
Broderick’s charisma and positivity shine brightly, inspiring those around him. Though some may question why he chooses to perform on the street rather than pursue larger ambitions, he has come to realize that his vision is already fulfilled in this role. “I love the smallness of my name,” he remarked, embracing the intimacy of his performances. “You can pull up on me and say you love me. That’s what I want to be.”
This story will be featured in a live performance at an upcoming ATXplained event, showcasing Broderick’s unique artistry and connection to the Austin community.
