A plethora of notable actors took the plunge into directing in 2025, yet their contributions did not quite meet the criteria for this compilation. While the inclusion of some of these high-profile names could have increased interest in this piece, adherence to quality remains paramount, echoing the sentiment of Pittsburgh Steelers coach Mike Tomlin: the standard is the standard.
This annual feature excludes documentary filmmakers, as they are highlighted in a separate post discussing the year’s best documentaries. Additionally, “KPop Demon Hunters” is omitted due to one of its directors having prior directing experience with “Wish Dragon.” Similarly, while the Safdie brothers ventured into solo projects this year, neither made the cut for this list.
The focus here is not on second films by directors but rather on those who demonstrated considerable growth between their debut and follow-up works. Among those who shone in 2025 are Sophie Brooks (“Oh, Hi!”), Zach Cregger (“Weapons”), Victor Danell, a.k.a. Crazy Pictures (“Watch the Skies”), James Griffiths (“The Ballad of Wallis Island”), Angus McLachlan (“A Little Prayer”), Rungano Nyoni (“On Becoming a Guinea Fowl”), Matt Shakman (“The Fantastic Four: First Steps”), James Sweeney (“Twinless”), Shih-Ching Tsou (“Left-Handed Girl”), and Max Walker-Silverman (“Rebuilding”). Now, let’s explore the standout debuts of the year.
Kate Beecroft
Sometimes, inspiration strikes in the most unexpected places. British actress Kate Beecroft was on a road trip through the Rocky Mountains when she met Tabatha and Porshia Zimiga, who were coping with the unexpected loss of Tabatha’s husband while selling horses. This encounter led her to create “East of Wall,” a contemporary Western featuring the Zimiga women portraying their own lives, resulting in a film that feels both authentic and grounded.
Ugo Bienvenu
In a year devoid of “KPop Demon Hunters,” Ugo Bienvenu’s “Arco” would have undoubtedly claimed the title of best animated film. The 38-year-old French director, originally from Guatemala, crafted a visually stunning science fiction narrative about a boy who journeys through time to help avert an environmental catastrophe.
Emilie Blichfeldt
Norwegian filmmaker Emilie Blichfeldt, aged 34, transitioned from short films to direct “The Ugly Stepsister,” a darkly imaginative twist on the Cinderella tale. Set against the enchanting backdrop of a fairy tale, the film explores the disturbing lengths women will go to attain societal beauty standards. Had Norway not also produced “Sentimental Value” this year, Blichfeldt’s film could have been a strong contender for an Oscar nomination.
Andrew DeYoung
With a rich background in short films and television series such as “A.P. Bio,” “PEN15,” and “Our Flag Means Death,” 43-year-old Californian Andrew DeYoung found a collaborative partner in Tim Robinson for “Friendship.” This cringe comedy follows a man’s awkward efforts to forge friendships, leading to hilariously uncomfortable situations, including a memorable shroom trip in a Subway sandwich shop that redefines fast-food experiences.
Drew Hancock
Drew Hancock, a 46-year-old from Omaha, showcased his talent in “Companion,” a film that reveals new layers upon repeat viewings. With an extensive background in television writing, Hancock’s debut feature cleverly parodies “Ex Machina,” infusing humor that outshines Alex Garland’s original. The film’s major plot twist, however, posed challenges for Warner Bros.’ marketing strategies.
Lawrence Lamont
Critics still remember Lawrence Lamont’s “One of Them Days,” released in January. While it may not have been hailed as the year’s best, it stands out as a mainstream comedy for Black audiences, tackling serious themes while delivering laughs. The 35-year-old Detroit native previously directed music videos for Big Sean, leaving a lasting impression with his portrayal of a payday loan business.
Alexis Langlois
French filmmaker Alexis Langlois, a 36-year-old non-binary artist, utilized their music video directing experience to create “Queens of Drama,” dubbed the most flamboyant film of 2025. This feverish musical delves into a tumultuous romance between two lesbian music stars, blending exuberant pop and gritty punk sounds into a dazzling cinematic experience.
Ben Leonberg
In a clever marketing move, Ben Leonberg cast his dog as the lead in “Good Boy.” This unique approach, however, is complemented by a gripping narrative that explores the grief of a pet facing its owner’s terminal illness. The 38-year-old from New Jersey transitioned from advertising to filmmaking, delivering one of the year’s most innovative horror films.
Carson Lund
Carson Lund, a film critic from New Hampshire, previously noted for his dialogue writing, crafted “Eephus,” a poignant film about two baseball teams playing their final game on a field slated for redevelopment. Lund’s transition from critic to filmmaker is deserving of recognition, particularly for his heartfelt portrayal of fleeting moments.
Charlie Polinger
Currently screening at AMC Grapevine Mills, “The Plague” emerged from Charlie Polinger’s reflections during recovery from COVID-19, inspired by journals he wrote at age twelve. This visually captivating film examines pre-teen bullying through the lens of a protagonist who embodies both victim and aggressor. Next, he plans to adapt “The Masque of the Red Death” with Mikey Madison.
Michael Shanks
Distinct from the Canadian actor of the same name, Australian filmmaker Michael Shanks crafted “Together,” a body horror film influenced by his long-term relationship of 15 years. The film sparked laughter and discomfort during its summer release, showcasing Shanks’ unique storytelling approach.
Eva Victor
Eva Victor’s “Sorry, Baby” earned a place on my top ten list, solidifying their spot here. The 31-year-old non-binary filmmaker from Paris has previously written for Reductress and The New Yorker, and gained recognition through their role on “Billions.” Their debut film explores the aftermath of a woman’s rape, delivering darkly comedic commentary on her lack of closure.
Honorable mentions include Christopher Andrews’ “Bring Them Down,” Durga Chew-Bose’s “Bonjour Tristesse,” Embeth Davidtz’s “Don’t Let’s Go to the Dogs Tonight,” Harris Dickinson’s “Urchin,” Sarah Friedland’s “Familiar Touch,” Hwang Byeong-guk’s “Yadang: The Snitch,” Karan Kandhari’s “Sister Midnight,” Rebecca Lenkiewicz’s “Hot Milk,” Fawzia Mirza’s “The Queen of My Dreams,” Laura Piani’s “Jane Austen Wrecked My Life,” Alex Russell’s “Lurker,” and Leonardo van Dijl’s “Julie Keeps Quiet.”
